2015年普利兹克奖提前公布 弗雷奥托Frei Otto获奖：乐竞app下载最新版
概要：德国建筑师弗雷·奥托(Frei Otto)于2015年3月9日在德国去世，在生前被告诉荣获弗利兹克奖。他是第40名荣获弗利兹克建筑奖的建筑师和1986年戈特弗里德-玻姆之后第二位得奖的德国建筑师。让我们向这位建筑大师缅怀！ 弗雷·奥托（Frei Otto） 2015年弗利兹克奖提早发布，德国建筑师弗雷奥托（Frei Otto）得奖。
由于德国知名建筑师弗雷奥托（Frei Otto）的忽然辞世，弗利兹克奖评审委员会提早两周对外月公布弗雷奥托（Frei Otto）荣获2015年弗利兹克建筑奖的消息。有一点难过的是弗雷奥托（Frei Otto）本人在生前早已被告诉得奖消息，在听见消息后他说道：“我现在高兴能取得弗利兹克建筑奖，我非常感谢陪审团和弗利兹克家族。我没有实在自己所做到的事情能夺得这个大奖，做到建筑设计动力就是设计新型的建筑来协助别人，尤其是那些受到自然灾害和灾难影响的人们…” 德国建筑师弗雷奥托（Frei Otto）以技术变革和可持续用于轻量级、灵活性的结构,获得了非凡的工程伟业，一个值得注意的实例——1972年慕尼黑奥运会的树冠。
2006年,他夺得了Praemium Imperiale建筑奖，并被颁发皇家金质奖章。奥托2015年3月9日去世，促成Prizker委员会超越的消息提早预计3月23日宣告。
冠军去世前就发布奖项，这是史上第一次。评语： 弗雷奥托（Frei Otto），近90年前出生于在德国，花上了他漫长的职业生涯研究、试验和发展中一个最脆弱的结构，影响了全世界无数人。
教训他的开创性工作领域的轻量级结构适应性强劲、多变和小心地用于受限的资源一样有关今天当他们在60年前首次明确提出。他早已拒绝接受了架构师的定义还包括研究员，发明家，form-finder，工程师，建筑工人，教师，合作者，环保，以人为本，感人的建筑和空间的创造者。他首次以帐篷结构用于临时展出场馆。
德国联邦花园的建筑展出和其他节日1950年代的功能，美丽，“飘浮”的屋顶，或许毫不费力地获取避难,然后很更容易谎报事件后。有线电视网络结构用作蒙特利尔67年世博会德国馆，装配现场钢架在德国短时间内建构了展览的众多亮点。1972年的慕尼黑奥运会，令人印象深刻印象的大规模屋顶，融合明度和强度是一个挑战，很多人说道不有可能构建。
体育场的建筑景观，游泳池和公共场所，大型团队的希望的结果，今天仍让人印象深刻印象。他的设计启发来自对大大自然的找到，持续发展的先进设备理念被建构出来之前，他就谋求用于最多的原材料和能源的堵塞空间。他的启发来自自然现象——从鸟头骨肥皂泡和蜘蛛网。
奥托从人与自然大自然的环境中的去修建，总是试图用较较少的资源做到更加多的事。弗雷奥托（Frei Otto）他常常认识构成一个团队的一部分来解决问题简单的建筑和结构性挑战。
结果证明，杰出的多学科是必须团队的集体希望。一生，弗雷奥托（Frei Otto）产生了富裕想象力的，新鲜的，前所未有的空间和结构。他还建构了科学知识。
在此居住于他的深刻影响:不是形式拷贝,但通过的路径关上他的研究和找到。他的贡献的领域体系结构不仅是技能和才华，也很绅士、大方。奇思妙想，活跃的思维，信仰自由地共享科学知识和发明者，他的协作精神和关心资源的用于，2015年弗利兹克建筑奖颁发弗雷奥托（Frei Otto）。
弗利兹克评委会评语 Frei Otto, born almost 90 years ago in Germany, has spent his long career researching, experimenting, and developing a most sensitive architecture that has influenced countless others throughout the world. The lessons of his pioneering work in the field of lightweight structures that are adaptable, changeable and carefully use limited resources are as relevant today as when they were first proposed over 60 years ago. He has embraced a definition of architect to include researcher, inventor, form-finder, engineer, builder, teacher, collaborator, environmentalist, humanist, and creator of memorable buildings and spaces. He first became known for his tent structures used as temporary exhibition pavilions. The constructions at the German Federal Garden exhibitions and other festivals of the 1950s were functional, beautiful, “floating” roofs that seemed to effortlessly provide shelter, and then were easily dissembled after the events. The cable net structure employed for the German Pavilion at Expo 67 in Montreal, prefabricated in Germany and assembled on site in a short period of time, was a highlight of the exhibition for its grace and originality. The impressive large-scale roofs designed for the Munich Olympics of 1972, combining lightness and strength, were a building challenge that many said could not be achieved. The architectural landscape for stadium, pool and public spaces, a result of the efforts of a large team, is still impressive today. Taking inspiration from nature and the processes found there, he sought ways to use the least amount of materials and energy to enclose spaces. He practiced and advanced ideas of sustainability, even before the word was coined. He was inspired by natural phenomena – from birds’ skulls to soap bubbles and spiders’ webs. He spoke of the need to understand the “physical, biological and technical processes which give rise to objects.” Branching concepts from the 1960s optimized structures to support large flat roofs. A grid shell, such as seen in the Mannheim Multihalle of 1974, shows how a simple structural solution, easy to assemble, can create a most striking, flexible space. The Mechtenberg footbridges, with the use of humble slender rods and connecting nodes, but with advanced knowledge, produce an attractive filigree pattern and span distances up to 30 meters. Otto’s constructions are in harmony with nature and always seek to do more with less. Virtually all the works that are associated with Frei Otto have been designed in collaboration with other professionals. He was often approached to form part of a team to tackle complex architectural and structural challenges. The inventive results attest to outstanding collective efforts of multidisciplinary teams. Throughout his life, Frei Otto has produced imaginative, fresh, unprecedented spaces and constructions. He has also created knowledge. Herein resides his deep influence: not in forms to be copied, but through the paths that have been opened by his research and discoveries. His contributions to the field of architecture are not only skilled and talented, but also generous. For his visionary ideas, inquiring mind, belief in freely sharing knowledge and inventions, his collaborative spirit and concern for the careful use of resources, the 2015 Pritzker Architecture Prize is awarded to Frei Otto.弗雷奥托（Frei Otto）作品赏析慕尼黑奥林匹克公园主体育馆曼海姆联邦园林动漫展奥托设计的多功能大厅屋顶蒙特利尔世博会德国国家馆利雅得外交俱乐部慕尼黑动物园鸟舍城市在北极”模型德国汉堡国际园艺展出大厅斯图加特大学轻型结构研究所奥托为平克·弗洛伊德美国巡回演唱不会设计的舞台——伞与坂茂合作的2000年德国汉诺威展览会日本馆关于弗利兹克 弗利兹克奖是每年一次颁发建筑师个人的奖项，有建筑界的诺贝尔奖之称之为。1979年由弗利兹克家族的杰伊·弗利兹克和他的妻子辛蒂发动，凯悦基金会所赞助商的针对建筑师个人施行的奖项。
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